BitFlanger combines a bitcrusher and a flanger in one plugin. Both effects run in parallel and have their own mix controls, so you can use the bitcrusher alone, the flanger alone, or blend both for hybrid digital and modulated tones. A master Dry/Wet control sets the overall effect level. The interface is laid out in two columns (Bitcrusher and Flanger) with a mix section below.
 
Bitcrusher section. Bit Depth (1 to 16 bits) reduces the resolution of the signal: low values (1 to 4 bits) give harsh, lo-fi distortion; higher values (12 to 16) add subtle digital colour. Sample Rate Reduction (1x to 50x) lowers the effective sample rate: low factors add a slight digital texture; high factors create metallic, robotic aliasing. Dedicated low-pass and high-pass filters shape the bit crushed signal. You choose the cutoff for each and the slope (6, 12, or 24 dB/octave). Use the low-pass to tame harshness (e.g. 5 to 8 kHz) and the high-pass to remove rumble (e.g. 80 to 120 Hz). Bitcrusher Mix blends the dry signal with the bit crushed, filtered result.
 
Flanger section. Rate (0.1 to 10 Hz) sets the LFO speed: slow for gentle sweeps, fast for tremolo-like motion. Depth (0 to 1) sets how strong the modulation is. Feedback (negative to positive, up to about 0.95) controls how much delayed signal is fed back: low for subtle movement, high for resonant whooshes (use with care near the extremes). Offset (0 to 20 ms) sets the base delay time before modulation: short (1 to 5 ms) for classic flanger; longer for chorus-like effects. Flanger Mix blends dry and flanged signal.
 
Ideal for producers and sound designers who want lo-fi digital character, sweeping modulation, or both in one plugin.